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The narrative begins with 'Naples Waterfront,' capturing a close-up of a sleeping face bathed in indigo light, shot with the textured grain of a HI-8 camcorder by filmmaker Kamil Dossar. The mood deepens as a hymn by 12th-century mystic Hildegard von Bingen, translated and recited by poet Nat Marcus, fills the air: 'Blood blush, you soaked out, you from that place divinity tipped, touched...' Rezanejad's score then emerges—a restless interplay of viola strings by Astrid Sonne and the rhythmic ebb and flow of waves meeting the shore.

This shoreline—a place of transition—captures the theme of Torino. Angels, moving between heaven and earth, belong fully to neither, embodying constant transformation. Dossar’s animations echo this: a bird dissolves into water, morphs into a rose, two fish, and finally submerged human figures. The same fluidity runs through Rezanejad’s soundscape, where the strings in 'Anahita Cross the Shore' eerily mimic a human voice.

Rezanejad describes Torino as exploring everyday alchemy—the art of transformation and connection. This theme is woven into the project’s elemental imagery: water and earth, fire and air, merging and reshaping. It’s also reflected in the process itself. Both Rezanejad and Marcus, who provide the voices and embody the central characters, blur the lines between reality and mythology, bringing personal and archetypal narratives together.

The angels’ search mirrors universal experiences: longing for love, connection across distance, or the endless pursuit of knowledge. These themes ripple through the visuals, the poetry, and the music, grounding the mystical in something deeply human.


Recorded for Russia
2017-2019
https://youtu.be/J5Q3QPbZ0YE


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